[Ascaloth] K-ON!, Episode 9
Popularity: 9% [?] Published by Ascaloth May 30th, 2009 in Ascaloth, Anime
With the arrival of the newly-admitted first-year Nakano Azusa into the Light Music Club, four has become five as the girls move onto the next step in their journey towards their dreams. However, with the injection of a new dynamic in the form of the newcomer, how will the current dynamics of the lackadaisical Club we’ve grown used to change because of it? How will Azusa deal with the fact that the Light Music Club she was so impressed with at the freshmen reception isn’t quite as awesome as she initially thought they were? How would she change the Light Music Club….or rather, how will the Light Music Club change her?
K-ON!, Episode 9.

For the designated loli of the series, Azusa sure acts a lot more demure and reserved than I expected her to. In fact, the way she was hesitating through the interview seems almost a textbook example of how to act during a proper Japanese job interview; present yourself humbly, downplay your own ability, and try to present yourself as the junior who knows his or her place in the prospective organization.
On another note, I’m wondering why Azusa isn’t wondering about how on earth did her Yui-sempai get her paws on a Gibson Les Paul.


In Singapore, there is a local slang term for what Yui is doing here. It’s called chao keng.

"What should I do?"
"Go practice!"



Featured Instrument: Fender Mustang
The Fender Mustang is an electric guitar by the Fender Musical Instruments Corporation, introduced in 1964 as the basis of a major redesign of Fender’s student models then consisting of the Musicmaster and Duo-Sonic. It was produced until 1982 and reissued in 1990.
All three Mustang-bodied models (Mustang, Musicmaster II and Duo-Sonic II) were offered with optionally the 21 fret 22.5-inch (or 3/4 scale) neck, or a 22 fret 24-inch neck, but the 24-inch was overwhelmingly more popular and 3/4 scale examples are rare. 24 inches is still relatively short, the same as the Fender Jaguar but a full inch and a half shorter than the Stratocaster and three-quarters of an inch shorter than the Gibson Les Paul. The short scale neck makes this guitar perfect for people with small hands, and also enhances the ability to use the tremolo arm for upbends.
This short scale, combined with a unique and extremely direct tremolo arm would make the Mustang a cult guitar in the 1990s. Before that, its relatively low cost and marketing as a student guitar made it an obvious candidate for aftermarket upgrades, particularly pickup changes and also amateur finishes. Its wiring with the original pickups also led itself to custom modifications.


Cute + Cute + Head-patting = Awwwww

Azusa: WTF I thought I was joining BECK 性転換!

Azusa: I didn’t come here to listen to airport music eat cake!

Time to pull off the next achievement on the way to Azusa Master. Let’s see if I can make her drink through her nose.



Like so.

The Temptation of Nakano Azusa




Moé moé kyun nyaa~!

Of course, Mio ain’t surrendering the throne of moé without a fight. Nyaa~!



Uguu~


Mio: Azusa, you once asked me why I stuck with this band, right?
Azusa: Yes, I did….

Mio: You saw that we’re not all that serious about this. That we spend more time fooling around than doing any actual practice. And it’s true. And that’s why you’re so upset, isn’t it? You couldn’t understand.

Mio: But you see….it’s because it’s fun to play with them.
Azusa: ….fun?

Mio: Yep. Be it practising or just doing stuff, we may not be serious about it, but I can’t deny it’s been fun.
Mio: And it’ll continue to be fun as long as it lasts. And that one day, we’ll wish that this can last forever.

Mio: That’s why when we’re together, when we’re practising or just fooling around, they’re all memories we treasure.
Mio: Our feelings for each other may have been light at the beginning, but it’s moments like this that’s the reason why our passion grows. Staplers aren’t enough to keep our passion for these moments together anymore.

Mio: That is why, Azusa. Even though we slack off a little at times….

Mio: …..okay, a little too much at times…..

Mio: ….still, it’s been all worth it, and it’ll only get better from here.
Mio: So come, Azusa! Come and make more memories with us, together!
Popularity: 9% [?]
7 Responses to “[Ascaloth] K-ON!, Episode 9”
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(3 votes, average: 4.67 out of 5)
Umm, anyone notice that they did not only add Azusa in the video, but also audio in the op as well? There is clearly one more guitar sound. The easiest place to notice is when the scene change from Yui to Ritsu focus sequence. Or am I wrong?
You forgot to mention in the experiment that it’s repeatable, another important fact
Somehow, the transition to the last “serious” part of this episode remind me of the Kanata moment in Lucky*Star 22, though I feel it’s not as smooth.
It is just me or did KyoAni got “lazy” on the op. Azusa feels completely “pasted” on the screen, and every time she appears playing she has the same four body movements.
@Hypernova:
There definitely does seem to be an extra guitar part at around 50 seconds in to the song. As for the serious part of the episode, I was unable to feel anything. Not that it wasn’t touching but because I was expecting some kind of funny thing to happen that would completely ruin the moment that tends to happen in these types of anime.
@Sniperk:
I agree. I wanted her to be shown in the other scenes as well but it seems like kyoani didn’t think it was worth the trouble. Oh well, at least they included a little of her and her playing into it instead of just leaving the opening as it was.
Perhaps its a placeholder for a real change in the OP and ED? She wasn’t in “Don’t say lazy”.
Yeah tremere is right i was expecting her to appear there
but the Neko-mimi scene was just like the manga =D but still i dont feel that the are portraying Asu-nyan as she was in the manga she is lacking something :/
Azu-nyan is so glompable…. Omochikaeri!!!
Needs .gif image of the yui toss. TT_TT I am lacking in moesome humour.